I accidentally took up tennis earlier this year. I played for the first time last year, with family, people far better than me. It was a lot of fun, but I knew I’d never be the fastest or the strongest, so I decided skill was the path forward. This year I started taking clinics at the local public club, a mere five minute drive away if I time the freight train properly. otherwise, it can be 20 minutes, or forever, if the massive freight trains stop on the track and go back and forth doing who knows what.
I’d probably held a racket once or twice as a kid, and when I went to my first clinic I discovered that no one had held rackets that way since I was a kid. The first thing I had to learn how to do was hold the thing. Nothing like new beginnings, but honestly, it felt good to learn something new.
As it turns out, tennis really suits me. It is both mental and physical, has strategy and attentiveness, and if I do not give it my full attention I either get hit in the face with a ball — even at my low level, as I have discovered, those things are hard, or I play really badly and get annoyed with myself.
After a few months of playing I started reading about tennis. I read Andre Agassi’s memoir, which is strangely boring, all about him except really all he wants to talk about is how much he hates tennis, and also Brooke Shields, whom he spends a significant amount of space saying unkind things about, such that one wonders what is the point? The book is well liked by the coaches and I think in part it is because it describes game after game and if they are older enough, they have watched these games. I probably watched him some as a kid, my parents played tennis. I do remember watching tennis. Jimmy Connor and Bjorn Borg and the meltdowns of John McEnroe.
This year I also read John McPhee’s Levels of the Game, about Arthur Ashe and Clark Graebner’s match at Forest Hills in 1968, which is also about everything else, their backgrounds, the way they were raised, how they came to embody certain types of tennis. As an aside, I lived in San Francisco in the late 80s and early 90s. Ashe died in 1993 of aids, and it was not until this book that I learned that he was straight. I had always assumed he was gay, and always assumed he had the double struggle of black and gay in early tennis. But no, not gay, he was one of the many who died from inflected blood in transfusions, before testing blood became the norm.
Tennis suits my mind. I can tell you what I do wrong, even if I can’t do it right. I am incredibly aware of when I am not doing what I am being taught, of how my body works, and what I need to do. Learning new complicated skills with the mind is only a first step, yes, I understand what I should do, but now I need my body to do it by rote, and I need my body to do it by rote when under pressure. Currently, my mind understands a lot of it, but my body doesn’t always follow. And if I think too much on the court it all goes wrong. There is a perfect zone where body and mind know what they are doing, and I let them take over and do it. The desired flow state that can be as hard to reach in tennis as it is in writing.
I could list the things my coaches tell me I do wrong — I don’t take up enough space, I don’t put my hips into it, these are the most common. When I first began to realize the kind of space I need to take up on a court to hit well, I also realized that having spent my entire life being told to take up less space, its really hard to do. After so many years of being alive as a woman, of living in cities, of navigating streets and darkness and people who don’t want me to be smarter than them, or more capable, I habitually avoid potential dangers through being smaller.
Yet here I am, on a court, when I need to spread my arms to full wingspan, to hit the ball in front of me, which means I need not only to be open like a starfish, in two dimensions, I need to also do it in three. “Hit the ball in front of you,” coaches say. Imagine you taking up all the space you possibly can in every single direction, then add a fourth dimension, MOVE, through space and time and keep all that extension. And also hit the ball, and then be ready in three seconds when it comes slamming back at you.
Naturally, I do not want to seem to do this, take up space. Naturally not as in, but of course, but by decades of habit the idea that I should take up all the space, flow through a stroke and then take up all the space on the other side…right. In my mind, though, I think this is a very excellent idea. I just need to take body memory and habit and replace with a new reality. No small task.
When I do it, it is glorious. It is strange to feel freed in space. I really never feel freed in space. When my head is so far into the game that I can take up all the space and play hard I also fail to notice anything around the game. That constant peripheral vision that I have been trained to attend to, to be so cautious about it, it all recedes, and the game is the game, and my body is my body, and my body was built for sport.
David Foster Wallace also wrote a book on tennis, String Theory. It is one of his books of extraordinary footnoting, the de-linearizing of his work. The story is not linear, tennis is not, in fact, linear, because you have to think in multi-pathways to make it work well. Wallace always touches on obsession and genius, but also on human limitations. I want to fight both for and against at least half of what he says, and I want my life to be different in way that I would have more footnotes, and more greatness. More obsession, for sure.
I started watching tennis after I started playing. All the things we are taught in baby tennis, which I find hard to do because one starts to learn tennis stationary, so a split step feels like an odd hop dislocated from time or purpose. Watching incredible tennis players though, is inspiring, and of course they do all the things the coaches teach, just faster, and with more elegance. Learning tennis, sticking one’s hand in the air while standing sideways on a court waiting for a ball to fall feels..awkward. Without the speed, I feel too seen, and not in a way that I am ashamed, but in a way in which my physical body feels dislocated from my tennis body. .
My tennis body is the interior version of me that is lean and muscled and plays very well. After a few months of clinics I started to dream in tennis, playing night after night, often working on a particular move or stroke. Sometimes what I learn in my sleep plays over into my awake state, but not enough, not yet enough. It’s time on the court that matters, ball machines and thousands of serves, and everything else I can do to optimize my body for success on the court.
Last week a coach joked with me that I should get a beach ball, or an inner tube for floating and swimming, and tape it to my body so that my arms and my racquet are always forced to be at least arms distance from my body. He said I should do this at home, and just learn to have space. I don’t think he understands why I don’t have space. This amuses me, perhaps, in general, I should do this, and let my arms expand out and shit the space in which I propriocept (is that even a word?) to get larger, to expand so that I am large, that I take up space.
I did not expect tennis to require me to reconsider how I take up space in the world. And it is, as one who has done this for most of their life realizes, very hard. I probably need hours and hours and months more than weeks on a court in which I simply take up as much space as possible. One day a coach yelled at me to take up more space and I yelled back, I am fighting decades of programming not to, give me a moment. And he stopped and looked at me, and the other women on the court with me all nodded their heads in unison. We know.
On those days in which all things align and I am fluid and take up all the space, of course I play better, but also there is a strange and deep joy of being in my body and not holding back and taking the space and racing from end to end and laughing with my compatriots, at the good points and at the bad. It is also very hard. But I do refuse to give up. And one day, perhaps I shall careen down city streets taking up all the space too, not quickly mincing out of the way of others, I shall hold ground, because it is not my responsibility to be smaller, it is my responsibility to be me.











